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The MC5

Submitted by Roanman on Thu, 03/21/2013 - 16:42

 

If you're a Detroiter of a certain age, the MC5 is a part of you that just ain't gonna wash out.

Arguably the first ever punk band, 10 years before punk was even identified as a thing, the MC5 invented riffs, moves and attitude which are nowadays de riguor for rock and roll bands the world over.

In light of recent events and building tensions in Detroit and Cyprus, not to mention still fresh memories in Egypt, Greece and Spain, here is Rob Tyner on vocals, Wayne Kramer and Fred "Sonic" Smith on guitars, Michael Davis on the bass guitar and Dennis Thompson on the drums in what was for them a very reserved performance in 1972 for the televison show Beat Club.

From Lincoln Park, Michigan this is the MC5 covering John Lee Hooker's account of the "67 Riot" in Detroit.

Motor City's Burning.

 

 

On the morning of July 19, 1970, with the memory of the Joe Cocker fiasco still fresh in my mind, I told my mother that I was going to The Beach to play some basketball and then meet up with some friends for a boat ride.

Instead, I picked up Donny W. and drove downtown to Tartar Field on the campus of Wayne State University to see The Früt, Savage Grace (soon to be better known as Rare Earth), Commander Cody and His Lost Planet Airmen and the MC5 at the WABX free concert.

If you look real close that's me all the way over to the right, the scrawny little guy with the straight hair and goofy glasses ..... rockin' hard.

Just kidding, you can't see me ..... I know because I've been looking.

Anyway, this is Wayne Kramer, who on that day I thought to be the single coolest guy on earth, taking his star turn on Ramblin Rose.

 

 

And now ..... and now ..... and now it's time to .....

KICK OUT THE JAAAMMMS .......

You know the rest.

 

 

Fooled ya, we went for the John Sinclair produced, clean version.

Here's the way it went at Tartar field.

I post this despite the annoying advertising running through only because Wayne Kramer gets guitar face on the opening chords.

 

 

Rest in peace, Rob Tyner, Fred "Sonic" Smith, Michael Davis and John Sinclair .... we could use some guys like you around here just about now.

 

A History of Popular Music Timeline

Submitted by Roanman on Tue, 06/21/2011 - 20:10

 

From the Guardian.co.uk which just won "Newspaper of the Year" from someone, and continues to be just a wonderfully consistent source for news and other interesting stuff.

If you like "Popular Music" click the image below for just the coolest interactive imaginable.

We've been playing with it for over a week now.

Don't be put off by the Jazz label on the image.

It's all there, from OKEH Records to Stiff with everything before, after and in between.

Way, super double highly recommended.

 

 

Diego Rivera

Submitted by Roanman on Sat, 05/14/2011 - 07:38

 

We have deemed our project to spruce up the site to have been a glorious success, as not one of you including even the most irascible among you, has contacted us to tell us how much they hate our every idea ..... at least as it applies to the decorating ..... yet.

And since we're practicing avoidance with regards to a couple of posts that either we have promised and have not yet completed, most notably a post on health care reform we promised Madelyn M. and ..... somebody else, or posts that are finished but are in truth so ugly to contemplate we'd just rather not for a while longer.

Here's a little more art to brighten your day.

The following are some photo's of the Court of Industry at the Detroit Institute of Arts.

In 1932-33, that well known mexican, marxist, muralist, Diego Rivera with the unbending support of that well known capitalist, industrialist and rich white guy, Edsel Ford, painted one of the greatest works of the 20th century on the walls of the Detroit Institute of Arts.

And while the caca did indeed hit the fan, fortunately none of it got on the mural.

Click each image for the DIA's wonderful interactive on each of the four walls holding the 27 panels that comprise this treasure. 

 

 

 

 

 

 

We'll get serious tomorrow.

Maybe.


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